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The Archaeological Survey of India (ASI) is all set to launch its next phase of ambitious project codenamed as Heritage 2.0

Also under the banner of enhancing accessibility and engagement with India’s rich cultural legacy, the ASI is to unveil its revamped website, tailored to cater to the dynamic needs of citizens across the nation.

The launch event is scheduled for March 12, 2024, at the National Museum, New Delhi.

This newly upgraded platform offers diverse functionalities, with each vertical of ASI meticulously navigable, users can effortlessly explore various aspects of India’s rich cultural tapestry, from historical sites to educational resources.

Furthermore, students will find the website to be a valuable resource for accessing information. This comprehensive digital overhaul reflects ASI’s commitment to leveraging technology for the benefit of all, ensuring that the nation’s cultural treasures are accessible to a broader audience.

In a significant development aimed at furthering the preservation and promotion of India’s cultural heritage, the Archaeological Survey of India (ASI) has envisioned the ‘Adopt a Heritage 2.0’ programme and now set to sign Memorandums of Understanding (MoUs) with various agencies for the adoption of monuments.

With more than 3600 monuments under its protection nationwide, ASI recognizes the importance of collaboration with external partners in ensuring safety and enhancement of visitors experience at these cultural treasures.

The signing of MoUs will formalize the commitment of these agencies to take up the responsibility of adopting specific monuments, contributing to their maintenance and better showcasing to public.

The monuments under the Heritage 2.0 includes among others Qutub Minar, Purana Qila, Uggar Sain’s Baoli, Humanyun’s Tomb, Upper Fort Aguada, Elephanta Caves, Agra Fort, Bhimbetka, Buddhist Stupa, Kailasanatha temple, Group of Temples Khajuraho, Safdarjung Tomb, Group of Monuments, Mamallapuram, Area between Jamali Kamali and Balban’s Tomb Sun temple, Konark.